blog de notas de juan freire

About Blog @jfreire

Publicaciones etiquetadas como Facebook

Mar 12

Mar 4
Organizational charts: The comic is a set of 6 organizational charts, edges with arrows show who reports to whom. Amazon’s is very traditional, each manager has exactly 2 people below her. Google’s is colorful (nodes are colored red, green, yellow, blue) and is extremely messy. Edges are overlapping all over the place, it’s unclear who reports to whom. Facebook looks like a social network with bidirectional arrows and a distributed structure. Microsoft’s is divided in three sub-structures that are pointing guns at each other. Apple’s is a circle with a large red dot in the center, and everyone around it reports to that red dot — the arrow heads are particularly large and even the people two levels away from the center red dot also have arrows point at them coming directly from the red dot. Oracle’s is divided into two sections, the first section is labelled ‘Legal’ and is huge, the second section is labelled ‘Engineering’ and is tiny.

Organizational charts: The comic is a set of 6 organizational charts, edges with arrows show who reports to whom. Amazon’s is very traditional, each manager has exactly 2 people below her. Google’s is colorful (nodes are colored red, green, yellow, blue) and is extremely messy. Edges are overlapping all over the place, it’s unclear who reports to whom. Facebook looks like a social network with bidirectional arrows and a distributed structure. Microsoft’s is divided in three sub-structures that are pointing guns at each other. Apple’s is a circle with a large red dot in the center, and everyone around it reports to that red dot — the arrow heads are particularly large and even the people two levels away from the center red dot also have arrows point at them coming directly from the red dot. Oracle’s is divided into two sections, the first section is labelled ‘Legal’ and is huge, the second section is labelled ‘Engineering’ and is tiny.


Dic 30

Dic 27

Mayo 31

Mayo 4

Mayo 2


Nov 23

Sep 25
filosofitis:

Los países que Facebook no domina.. aun
No apuntes con el dedo!

filosofitis:

Los países que Facebook no domina.. aun

No apuntes con el dedo!


Oct 21
A Writing Revolution § Seed Magazine
Number of authors who published in each year for various media since 1400 by century (left) and by year (right). Our prediction for the imminent future appears as the extrapolation of the Twitter-author curve (dashed line). The horizontal scale of time has one grid line per century (left) or per year (right). The first blog appeared in 1997; Facebook was launched in 2004; Twitter, in 2006. Note that the colored curves on the right have roughly the same steepness as the black curve on the left, despite the hundred-fold increase in the time scale between left and right. This indicates that the new media are growing 100 times faster than books. The book-authors line is not really broken; it’s still growing at the same old rate, tenfold per century, but looks flat when plotted by year. The vertical scale is number of authors per year, as a count (left) or percent of the world’s population (right). The logarithmic vertical scaling, increasing by powers of 10, displays growth clearly because the same percentage increase is always represented by the same upward shift on the graph. Plotted with this scaling, many growth phenomena, including epidemics, produce straight lines, which are particularly easy to recognize and describe. (Click here for methodology and full list of sources.)

A Writing Revolution § Seed Magazine

Number of authors who published in each year for various media since 1400 by century (left) and by year (right). Our prediction for the imminent future appears as the extrapolation of the Twitter-author curve (dashed line). The horizontal scale of time has one grid line per century (left) or per year (right). The first blog appeared in 1997; Facebook was launched in 2004; Twitter, in 2006. Note that the colored curves on the right have roughly the same steepness as the black curve on the left, despite the hundred-fold increase in the time scale between left and right. This indicates that the new media are growing 100 times faster than books. The book-authors line is not really broken; it’s still growing at the same old rate, tenfold per century, but looks flat when plotted by year. The vertical scale is number of authors per year, as a count (left) or percent of the world’s population (right). The logarithmic vertical scaling, increasing by powers of 10, displays growth clearly because the same percentage increase is always represented by the same upward shift on the graph. Plotted with this scaling, many growth phenomena, including epidemics, produce straight lines, which are particularly easy to recognize and describe. (Click here for methodology and full list of sources.)


Sep 2
Pola peonalización da Praza de Fefiñáns
O obxetivo desta páxina é promover a peonalización da Praza de Fefiñáns (Cambados, Galicia), que se atópa aínda aberta ao tráfico, maila que hai anos que se construíu unha estrada alternativa. Na mesma teñen cabida o Pazo de Fefiñáns (s.XVI) e a Igrexa de San Bieito (1618-1634), e nela se celebraba antigamente o mercado.Ningúen se imaxina que a Praza do Obradoiro, a de María Pita na Coruña ou a da Ferrería en Pontevedra estivesen atravesadas por unha estrada, nin que servisen de aparcamento no canto de preservar os seus valores históricos, artísticos e turísticos. Pola contra, en Cambados levamos un forte retraso no proceso de recuperación dos cascos vellos para os peóns, que hai décadas que se ven producindo en vilas e cidades de toda Galicia, promovidas por gobernos municipais de todas as cores políticas.
Grupo en Facebook. Flickr. Recogida de firmas.

Pola peonalización da Praza de Fefiñáns

O obxetivo desta páxina é promover a peonalización da Praza de Fefiñáns (Cambados, Galicia), que se atópa aínda aberta ao tráfico, maila que hai anos que se construíu unha estrada alternativa. Na mesma teñen cabida o Pazo de Fefiñáns (s.XVI) e a Igrexa de San Bieito (1618-1634), e nela se celebraba antigamente o mercado.

Ningúen se imaxina que a Praza do Obradoiro, a de María Pita na Coruña ou a da Ferrería en Pontevedra estivesen atravesadas por unha estrada, nin que servisen de aparcamento no canto de preservar os seus valores históricos, artísticos e turísticos. Pola contra, en Cambados levamos un forte retraso no proceso de recuperación dos cascos vellos para os peóns, que hai décadas que se ven producindo en vilas e cidades de toda Galicia, promovidas por gobernos municipais de todas as cores políticas.

Grupo en Facebook. Flickr. Recogida de firmas.